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Plinth

Hanging the show

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A white multi-storey gallery hall with a lit ceiling, a long bench, visitors and small works hung far apart on the walls
A tall white room under a long skylight with three large paintings hung on two walls
A white corner room with a concrete floor, a large dark painting on one wall, a tall blue one and a small framed work on the other
A visitor in a tall white doorway beside a wooden bench, with a bare white wall to the left

Room 1 of 4

The Hall

Where you come in: a lit ceiling, a long bench and the first works, hung low and far apart.

Scroll to walk through

Room 2 of 4

The Daylight Room

Skylights the full length of the ceiling. Left to right: Ribbon on Teal, Black Sun, Yellow Field and Mill Race.

Room 3 of 4

The Long Room

A tall corner with a concrete floor: Weather Vane for Two Winds, Night Harbour and, framed, Two Long Necks.

Room 4 of 4

The End Room

One bench, one doorway and a wall left empty for the next show.

Plinth is an independent gallery in a former print works in Leeds. We show living artists in rooms with nothing else going on, and it costs nothing to come in.

Six shows a year. Every artist gets a room’s worth of space, a printed text and a proper opening. Work is for sale, and we’ll tell you the price before you ask.

9 October to 20 December 2026

Low Sun,
Long Room

Eight artists, one question: what does a room do to a painting at four in the afternoon? All the work is for sale.

Installation view of Room 3: a large dark painting on the left wall, a tall blue harbour painting and a small framed work on the right wall
Installation view, Room 3Left to right: Weather Vane for Two Winds, Night Harbour, Two Long Necks
  • Overlapping red triangles and pale pink and blue discs on orange and ochre Room 1

    Six Discs, Two Triangles

    Ruth LindqvistGouache on paper, 60 × 90 cm

    Enquire
  • A hill town built from blocks of red, green, yellow and blue Room 1

    Hill Town, Loud

    Tomas OkonjoOil on canvas, 120 × 140 cm

    Enquire
  • A black sun over a yellow and olive flower-like shape on a deep blue ground Room 2

    Black Sun, Yellow Field

    Ilse BrandtOil and wax on board, 150 × 205 cm

    Enquire
  • A peach ribbon of overlapping curves and spheres on a teal striped ground Room 2

    Ribbon on Teal

    Jonas WhitlockOil on canvas, 130 × 95 cm

    Enquire
  • A blue river running between yellow mill buildings under red chimneys Room 2

    Mill Race

    Dov HeskethOil on canvas, 200 × 280 cm

    Enquire
  • A round striped form on a black stem, like a weather vane, on a dark teal ground Room 3

    Weather Vane for Two Winds

    Marit OyelaranOil on linen, 195 × 250 cm

    Enquire
  • A harbour at night: a bridge with masts, a row of lamps along the quay and dark blue water Room 3

    Night Harbour

    Noor AdebayoOil on canvas, 190 × 155 cm

    Enquire
  • Two white long-necked figures facing each other on a lavender ground Room 3

    Two Long Necks

    Anouk FerreiraGouache on paper, 70 × 95 cm, framed

    Enquire

Four rooms, one long view.

Every doorway lines up on purpose, so from the street you can see the far wall before you’ve decided to come in. Pick a room and we’ll walk you there.

Floor plan of the galleryFour rooms in a row, each about 9 by 10 metres, joined by aligned doorways. Entrance on the left. Room 1 is the Hall, 2 the Daylight Room, 3 the Long Room and 4 the End Room. Skylights Desk Bench Bench Wall left free for the next show 1 The Hall 2 The Daylight Room 3 The Long Room 4 The End Room 9 m 9 m 9 m 9 m 10 m Entrancestep-free N 0510 m Hung workSkylightFurnitureDoorway
  1. The hall: a white multi-storey space with a lit ceiling and visitors

    The Hall

    Where you come in. A lit ceiling, a bench for coats and conversations, and the first works hung low and far apart.

  2. The daylight room: skylights above a white wall with a large painting of a mill and river

    The Daylight Room

    Skylights run the full length of the ceiling, so the best light is between 2 and 5 pm. The biggest paintings live here.

  3. The long room: a white corner with a concrete floor and two paintings on the wall

    The Long Room

    A tall corner with a concrete floor. Two walls, three works, and nowhere to hide.

  4. The end room: a visitor in a tall white doorway beside a wooden bench

    The End Room

    One bench, one doorway and a wall left empty for the next show. Sit down; nobody is counting.

Each room is about 9 × 10 metres with a 4.2 m ceiling. Entrance on the left, step-free.

Coming up

Four shows to come. Each opens on a Friday evening, 6 to 9 pm, with a drink and the artist in the room.

Black paper shapes folded like birds and hung on thin wires against a white wall

15 Jan to 28 Feb 2027

Paper Walls

Kei Okafor

Black paper, cut and folded by hand, then hung on wire until the room starts to fly.

Grey ink and soot stains spreading across pale paper

12 Mar to 2 May 2027

Residue

Pia Salomonsen

Ink, soot and tea left to settle on raw paper for months, then framed exactly as they fell.

Two paintings hung one above the other, each with a sun above a flower-shaped field

14 May to 4 Jul 2027

The Long Weekend

Lowell & Reyes

Two painters, one canvas each, finished by the other. There is a sun on both. They haven’t said why.

A wall hung closely with a dozen small framed paintings

Open call, closes 1 March

Summer Open

Your name here

One wall of small works, chosen blind. Send us a single image, no CV needed.

Free to enter. Closed on Mondays.

Free entry

Print Hall
14 Marsh Lane
Leeds LS9 8AH

Step-free from the street, a lift to the mezzanine, a quiet hour every Tuesday at 10. Dogs on leads are welcome. Free guided tour on Saturdays at 2 pm.

Opening hours
Tuesday10 am – 6 pm
Wednesday10 am – 6 pm
Thursday10 am – 9 pm late opening
Friday10 am – 6 pm
Saturday11 am – 7 pm
Sunday12 – 5 pm
MondayClosed
A long white hall with a polished concrete floor reflecting rows of ceiling lamps
The ground floor, step-free from the street.